
presents
MOVIE NIGHT
Music from Film and Television
Concert Programme
NOVEMBER 3, 2024
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The Canadian Chamber Orchestra is grateful for support from the Toronto Arts Council and our community of donors and supporters
Benjamin Comstock
Aaron Schwebel
Krista Comstock
Gwen Sugiyama
Olga Jilani
Yang Sui
Charlotte Ryan
Catherine Willshire
A Message from the Artistic Directors
We are thrilled to welcome you to Movie Night; the first performance of the Canadian Chamber Orchestra’s second season!
After a wonderful debut concert in the spring, we are thrilled to be venturing into our second season as an orchestra presenting three unique concerts of our own, performances with other presenters in Toronto and beyond, and partnering with Eglinton St. George’s United Church, which will be our home base for the 2024-25 season. We are also grateful for the support of ESG in helping us to present this evening’s concert as a fundraiser in partnership with their in-house food insecurity program.
Tonight’s concert celebrates the art of film and some of the great contemporary (and a few classic) composers that write the music that brings these movies to life. We are thrilled to be performing music by Canadian composers such as Mychael Danna, Owen Pallet, Broken Social Scene, and Howard Shore. We have made an effort to find some of the most interesting and evocative movie scores that are rarely performed live, and we have also included a couple of the most famous pieces of classical music put to film. Canadian composer Chris Thornborrow has crafted three beautiful arrangements of songs from film for us, and we are delighted to be joined by vocalist Anika Venkatesh to perform them.
Your presence here tonight is a testament to your love and appreciation for the arts, and we are grateful for your support. We hope that this concert will be the first of many memorable performances that we will share with you in the future. We invite you connect with us directly, and please consider supporting the CCO through our partnership with Chamber Factory, a non-profit organization that collects donations and issues tax receipts on behalf of many phenomenal arts organizations in Toronto.
Thank you for being a part of this special evening, welcome to the CCO’s living room, and we look forward to sharing the transformative power of music with you.
Andrew Ascenzo & Drew Comstock
Artistic Directors
Canadian Chamber Orchestra
Concert Programme
June Ja-Il (arr. Comstock)
Suite FROM PARASITE
Heartrending Story of Bubu
Water, Ocean Again
Zappaguri
Mychael Danna & Jayrashi (arr. Thornborrow)
Pi’s Lullaby
from Life of Pi
voice: Anika Venkatesh
Joe Hisaishi (arr. Ascenzo)
Suite from Studio Ghibli
Spirited Away - One Summer’s Day
My Neighbor Totoro - Path of the Wind
Howl’s Moving Castle - Merry Go Round of Life
Nausicaa of the Valley of the Wind - Bird Person
Princess Mononoke - Ashitaka & San
Howard Shore (arr. Comstock)
The Breaking of the Fellowship
from Lord of the Rings
Nicholas Britell (arr. Ascenzo)
Suite from Succession
Tuscany
Number One Boy
You Have To Be A Killer
Pirates
Main Theme
Samuel Barber
Adagio for Strings
from Platoon
Owen Pallett & Arcade Fire (arr. Thornborrow)
Moon Song
from Her
voice: Anika Venkatesh
Broken Social Scene (arr. Thornborrow)
Anthems for a 17 Year Old Girl
from Scott Pilgrim Vs. The World
voice: Anika Venkatesh
W.A. Mozart
Symphony No. 25 in g minor
from Amadeus
Allegro con brio
Nathan Johnson
Knives Out!
Max Richter
On the Nature of Daylight
from Arrival
Johnny Greenwood
Suite from There Will Be Blood
Open Spaces
Future Markets
HW/Hope of New Fields
Proven Lands
Prospector's Quartet
Oboe: Aleh Remezau
Claude Debussy (arr. T. Bertin-Maghit)
Clair de Lune from Ocean’s 11

Musicians of the CCO
Performing This evening:
Special Guests
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Anika Venkatesh is a genre-defying vocalist hailing from Coast Salish Territories and currently based in Tkarón:to, Ontario, and is a recent graduate of the University of Toronto (BMus. 2023). Anika bridges art forms between being a solo vocalist, choral professional, theatre performer, and opera performer; they are an early-career artist primarily exploring the edges of contemporary performance art. Select performance credits include the world premiere of Quote Unquote Collective’s four-timeDora-nominated production Universal Child Care (Canadian Stage), Arkora Music’s Toronto debut in Styx & Stones, “The House” in Gareth Williams’ Rocking Horse Winner (Tapestry Opera), and alto soloist in R. Nathaniel Dett’s The Ordering of Moses (NDC & The Rochester Oratorio Society). Anika is currently a Sidgwick Scholar with the Orpheus Choir of Toronto under the direction of Thomas Burton, and they most recently performed as one part of the six-member ensemble for the world premiere of Rolf Hind’s Sky in a Small Cage at the Copenhagen Opera Festival in August 2024 with Mahogany Opera, before debuting the show to the Barbican Centre in London, England, in September 2024.
Anika is also an R&B musician, amongst other contemporary genres. They continue to carve out their artistic niche with an instrument radically fluid and hybrid; queer, Bengali, Tamil, genderless and genderful. Through musical storytelling, Anika hopes to garner curiosity, reflection, kindness, play, connection, tenderness, intimacy, and strength.
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Canadian oboist Aleh Remezau is renowned for his “sensuous and exuberant” performances (The Millbrook Independent) and “incredibly expressive” playing (Vancouver Sun). Having established himself as a sought-after orchestral musician, he has performed in major Canadian venues as well as concert halls in the United States, Austria and the United Kingdom. He has appeared with the New York Philharmonic, Toronto Symphony Orchestra, National Arts Centre Orchestra, National Ballet Orchestra of Canada, Kitchener-Waterloo Symphony as well as guest Principal Oboe with the City of Birmingham Symphony Orchestra, Canadian Opera Company and Winnipeg Symphony Orchestra. He appears regularly with the Esprit Orchestra, performing as both Principal Oboist and solo English horn.
After joining the Hamilton Philharmonic in 2020 as Principal Oboe, Mr. Remezau’s playing has been highlighted in major works such as Ravel’s Le Tombeau de Couperin, Stravinsky’s Pulcinella Suite and Rimsky Korsakov’s Scheherazade. In the 2023-24 season, he performed the Concerto for Oboe and Strings by Ralph Vaughan Williams as soloist. Mr. Remezau began his musical studies on piano, and his study of the oboe at fifteen. He is a graduate of the University of Toronto and the Manhattan School of Music. He is an alumnus of The Music Academy of the West and Domaine Forget.
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Chris Thornborrow is an award-winning composer for film, theatre, and the concert stage. His work has been described as “heightened and brashly percussive” (Variety), “urgent, masterful” (NOW Magazine), “powerfully virtuosic” (Barcza Blog), and “elegiac music that casts a spell” (Hollywood Reporter). Recognition for his work includes the Karen Kieser Prize in Canadian Music, multiple SOCAN Awards for Audio Visual Composers, two DORA Award nominations, and the Louis Applebaum Composers Award Nomination.
Chris composed the music for Sleeping Giant, which was nominated for the Critics Week Grand Prize and Golden Camera Award at the Cannes Film Festival, won the Best Canadian First Feature Award at the Toronto International Film Festival and has been broadcast internationally in 40 countries. It was also nominated for three Canadian Screen Awards, including Best Motion Picture.
He composed a unique noise-inspired electronic-classical fusion score for the film We Ate the Children Last. Based on a story by Yann Martel (Life of Pi), the film premiered at the Claremont-Ferrand International Short Film Festival and was honoured as one of Canada’s Top 10 short films at the Toronto International Film Festival. In addition, Chris collaborated with Brandon Cronenberg on The Camera and Christopher Merk, which premiered at the Toronto International Film Festival.
His first full-length hybrid-musical Hook Up premiered to critical acclaim in 2019 and was nominated for a Dora Mavor Moore Award for Outstanding New Opera. Commissioned and produced by Tapestry Opera, it was lauded as “beautiful, gut-wrenching, and absolutely riveting” (Mooney Theatre). In 2024, Chris collaborated with the National Arts Centre English Theatre and Orchestra to compose music for the eco-horror radio play cicadas, written by David Yee. Firmly established as a leading composer and facilitator in contemporary music theatre for young people, Chris works regularly with school boards and top arts organizations across Ontario. Through his work with the Canadian Opera Company’s After-School Opera Program, Chris has collaborated directly with thousands of students and co-written over 60 musical theatre works.
His instrumental music has been performed, recorded, and commissioned by Array Ensemble, the Bicycle Opera Project, Ensemble Paramirabo, Esprit Orchestra, junctQìn keyboard collective, the National Arts Centre, Tapestry Opera, the Thin Edge New Music Collective, and The Toy Piano Composers, of which he was the Co-Founder and Artistic Director for eight seasons.
As an avid fan of tabletop games, Chris composes original orchestral music for Dungeons and Dragons campaigns and serves as game master.
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I graduated from Western University with a BFA with practices shifting from primarily acrylic painting to oil painting and installation works over the past few years. Drawing inspiration from Hieronymus Bosch and Salvador Dali, I create paintings with a touch of Surrealism
and “whimsical”-like quality. Additionally, I pursued a dual degree with the Ivey School of Business which translated into an interest in critiquing the systemic issues behind capitalism in some of my work. These days I'm working on creating large scale oil & acrylic paintings with a new found love of using paint markers.As an artist, I seek to challenge the perspectives in which we view ourselves in relation to the world around us by communicating these ideas through installation and painting. I’m fascinated by how we perceive the world, and the search for truth behind what we deem to be real and what we deem to be fabricated. Some of my work focuses on this concept of a falsified utopia in a dystopian world fueled by the dark side of human nature, tainted by selfishness, greed, and sin. Prevalent in my previous work, I explore themes of wealth disparity and the consequences of the system built to function in favour of those in power. Following this, I'm creating work that comments on consumerism and the materialistic society that we indulge in, bringing to light the issues behind our current economic and political systems, exposing the impact of harmful actions that seem harmless on the surface and how we are all inevitably accountable. More recently, my work has taken a lighter direction with themes of personal self reflection and nostalgia. Holistically, I’m interested in questioning social constructs and exploring what is inherent human nature and what is conditioned.
Violin
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Amy Hillis has "a rich, warm sound and has mastered the violin with such ease, that it is impossible to ignore her passion in performance" (Ludwig Van Montréal). She challenges artistic norms to build community relationships inside and outside the concert hall. As a soloist, Amy has commissioned and premiered new Canadian works by Matt Brubeck, Fjóla Evans, Gabriel Dufour-Laperrière, Laurence Jobidon, Vincent Ho, Andrew Staniland, Jocelyn Morlock, Nicole Lizée, Carmen Braden, Randolph Peters and Jordan Pal. She is winner of the Pan-Canadian Recital Tour, the Eckhardt-Gramatté National Music Competition, the Canada Council Musical Instrument Bank competition, the McGill Concerto Competition, an artistic residency at La Cité Internationale des Arts in Paris, and the Sylva Gelber Foundation Music Award. text goes here
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Noa Sarid is an Israeli violinist and chamber musician. She is the first violinist and founding member of the Dior Quartet, winner of the 2023 Concert Artist Guild Elmaleh Competition, silver prize winner of the Chesapeake Chamber Music Competition (2021) and bronze medalist of the 46th Fischoff National Chamber Competition (2019). Coached by the Pacifica Quartet, the Dior Quartet also studied with members of the Alban Berg, St. Lawrence, Danish, Artemis, Ébène, and Belcea Quartets. She is a 2023 Rebanks Fellow at the Royal Conservatory of Music. As a soloist, Noa toured in Israel and Europe with The Symphonette Ra’anana and The Thelma Yellin Symphony Orchestras. As a chamber musician, Noa is a Naxos Records artist (2020) and a four-time winner of the Jerusalem Academy of Music Chamber Competition (2015-2018). Noa is committed to advocating social justice through music. She took part in the Musethica International Chamber Music Festival in 2017, performing in hospitals, shelters for survivors of domestic violence, prisons, and schools for children with special needs. As part of her military service, Noa toured Israel with the Israel Defense Forces String Quartet, delivering lecture-recitals in army bases. Noa holds a master’s degree in Violin Performance from Indiana University’s Jacobs School of Music and a bachelor’s degree from The Jerusalem Academy of Music and Dance. Noa’s violin mentors include Simin Ganatra, Roi Shiloah, and Nava Milo. With the Dior Quartet, Noa joined The Glenn Gould School of The Royal Conservatory in Toronto as the new String Quartet-in-residence for the 2021-2022 academic year. Noa teaches violin at the Lane School of Music, and passionately mentors violin students at the Oscar Peterson Program at the Royal Conservatory of Music, Toronto.ext goes here
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Elizabeth Loewen Andrews is a core member of the Hamilton Philharmonic Orchestra. She leads a dual life in performance, playing both modern violin and Baroque violin. Although formally trained in modern performance, Elizabeth was able to delve into the world of period performance while she was completing her Masters degree at the University of Toronto. When not performing in Hamilton, she can often be found joining the members of Tafelmusik Baroque Orchestra on their stage, or performing contemporary music with Esprit Orchestra. If you had to ask Elizabeth about her favourite part in performing music as a career, she would probably say everything. Elizabeth loves to share a wide range of music with audiences, and she tends to throw herself wholeheartedly into all of it! She also feels strongly that it is a privilege as a musician to be able to affect people at a deep emotional, and even spiritual, level when she performs. Elizabeth aims to bring this same energy and inspiration to her teaching studio, so her students can experience the transformative power of music. When Elizabeth is not rehearsing and performing, she can usually be found in her home in West Scarborough. There, she teaches violin sometimes, chases after her kids a lot, sometimes does some yoga, sneaks in some gardening and almost always finds time to do some cross stitch or embroidery for relaxation at the end of the day.ption text goes here
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Sienna (MinKyong) Cho, a Korean-Canadian violinist, has served as Assistant Concertmaster of the Kingston Symphony since 2023. Known for her lyrical interpretations and technical finesse, Sienna is a recent graduate of McGill University, where she earned both a Bachelor of Music and Graduate Diploma under Andrew Wan and Jinjoo Cho. She completed her Master of Music on full scholarship at Rice University with Cho-Liang Lin, further refining her artistry. In 2019, Sienna received the Salsinger Tani Gold Medal and was a prize winner of the Peter Mendell Award Competition. She has appeared at prestigious international festivals such as the Schleswig-Holstein Musik Festival, New York String Orchestra Seminar, Kneisel Hall, Colorado College Music, and Toronto Summer Music, performing on world-renowned stages. As an active orchestral player, Sienna regularly performs with prominent Canadian ensembles, including the Toronto Symphony Orchestra, Orchestre Symphonique de Montréal, and Kitchener-Waterloo Symphony. She performs on a 2014 Mira Gruszow & Gideon Baumblatt violin, a masterful copy of the 1744 Michel' Angelo Bergonzi, generously loaned by Andrew Wan. In addition to her performance work, Sienna is committed to community engagement and education. She participates in outreach initiatives, introducing young audiences to classical music through interactive workshops, fostering a passion for the arts in future generations.cription
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Recipient of the 2015 Hnatyshyn Foundation Developing Artist Grant, TSO violinist Christina (Jung Yun) Choi gave her first concerto performance in 2006 with the Queensland Symphony.Since then, she has performed around the world in venues such as Bridgewater Hall, the Sydney Opera House, and Carnegie Hall. Born in South Korea, Choi began playing the violin at the age of 5. Two years later, while visiting relatives in Australia, she met her future long-term teacher, Emin Tagiev. That moment became a turning point in her life, and after receiving a full music scholarship to attend boarding school in Australia, she went on to complete her studies at the Glenn Gould School, the Colburn School, and the New World Symphony.Choi’s primary teachers include Emin Tagiev, Atis Bankas, David Zafer, Mayumi Seiler, Paul Kantor, Barry Shiffman, and Martin Beaver. Outside of music, Choi likes to travel, hike, and search for good food and coffee.
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Praised for his “beauty of tone and elegance of style” (Herald-Tribune), Toronto based violinist Patrick Goodwin enjoys a varied career as a soloist, chamber musician, orchestral violinist and teacher. As former concertmaster of the Cape Town Philharmonic Orchestra, Patrick has performed in many of the world’s great halls including the David Geffen Hall, Royal Festival Hall, Hong Kong Cultural Centre, Wales Millennium Centre and the Dubai Opera House. He has served as leader and orchestral soloist for multiple productions in collaboration with Cape Town Opera, Cape Town City Ballet and for the touring St. Petersburg Ballet’s production of Swan Lake. Patrick has appeared as a guest leader with various South African orchestras and chamber ensembles and has recorded for national radio, television and on numerous commercial recordings. In 2017 he represented South Africa performing with the New York Philharmonic Global Orchestra Project at the Lincoln Centre under conductor Alan Gilbert. Since relocating to Canada in 2018, Patrick has performed in various chamber music ensembles in and around Toronto and is a substitute violinist with the Orchestra of the National Ballet of Canada, Hamilton Philharmonic Orchestra, Toronto Concert Orchestra and joins Sinfonia Toronto for their 2019-2020 season. Patrick has featured regularly as a soloist with the Cape Town Philharmonic Orchestra, University of Cape Town Symphony Orchestra and in recital throughout South Africa. An experienced and sought-after chamber musician, he was a founding member of the Bacharova Quartet and leader of the Juliet String Quartet with whom he championed many new works alongside established repertoire. He was awarded first prize in the ATKV Ensemble Competition (2009) and has been faculty member at the Stellenbosch International Chamber Music Festival (2012, 2013)Patrick studied in Cape Town and Chicago where his principal teachers were Farida Bacharova and Olga Dubossarskaya Kaler. He holds Bachelors and Masters degrees in violin performance and was a member of the South African National Youth Orchestra as well as a frequent participant in the Britten-Pears Orchestra courses in Aldeburgh, UK. From 2011 to 2018 Patrick was adjunct lecturer in violin at the South African College of Music, University of Cape Town.
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Sheila Jaffé was born into a family of musicians and was fascinated by classical music from a young age. Born in Montreal and raised in South Florida, she returned to her native Quebec at the age of thirteen to live and study with her second cousin Catherine Dallaire, concertmaster of the Orchestre Symphonique de Québec and professor of violin at the Conservatoire de Musique de Québec. After completing high school as part of the arts intensive program at l'École Secondaire Pierre-Laporte in Montreal, Sheila completed her Bachelor's degree in violin performance at the Université de Montréal. Over the course of her years in Montreal, it became clear that chamber music and orchestral playing were at the core of her musical passions. She co-founded the Alaya String Quartet, performed in numerous chamber music concerts in the city, and kept herself impossibly busy with every kind of ensemble she could put together. In the summers, she participated in orchestral, chamber music and masterclass festivals such as Schleswig-Holstein Orchester, Domaine Forget, International Musicians Seminar and Open Chamber Music at Prussia Cove, Orford Arts Centre, Aurora Music in Sweden, and several others. Sheila continued her studies in Berlin, Germany with a Master's program at the Hanns Eisler Hochschüle für Musik, during which she also was accepted into the Deutsche Symphonie-Orchester Akademie for a one-year position. During this time she also co-founded the Alondra String Quartet, who were invited to the International Musicians Seminar Prussia Cove as well as the Toronto Summer Music festival. The members of this quartet are now in leading orchestras around the world. In 2013, at the Rosebud Chamber Music Festival in Alberta, Canada, she co-founded the Rosebud String Quartet (RSQ), with whom she currently performs regularly. Sheila is also the violinist and violist of the Array Ensemble, specializing in new music. In 2015, Sheila joined the Canadian Opera Company as a violist while continuing to nurture her love of chamber music on the violin with her string quartet as well as other chamber ensembles and various solo performances. She has also recently been appointed as principal viola of the National Ballet of Canada Orchestra. Her first album, featuring works by Franck, Elgar and Britten in collaboration with Welsh pianist Huw Watkins, is due to come out in 2022. Sheila Jaffé plays on a Francesco Gobetti (1710-15) violin and Raymond Schryer (2001) viola on generous loan from Canimex.
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Violinist Csaba Koczo is currently Assistant Principal Second Violin of the Canadian Opera Company Orchestra, and holds a position with the National Ballet of Canada Orchestra. Mr. Koczó also enjoys a prolific career as a chamber musician and soloist both in Canada and abroad. As a founding member of the Banff Competition prizewinning and Dora award nominated Tokai String Quartet, Mr. Koczó has toured across Canada and the US and some of his performances have been broadcast on the CBC and the Hungarian National Radio. He has performed at Ottawa Chamberfest, and the Toronto Summer Music Festival where he has worked with Ian Swensen and the Leipzig String Quartet. Mr. Koczó has taught at the Universities of Stanford, Toronto, Kingston, Halifax and Acadia in Wolfville NS, and spent many summers as a faculty member of Music at Port Milford in Picton, ON. He also often appears on the Chatter Chamber Music series in New Mexico and plays with the Santa Fe Opera Orchestra. He is a member of the TakeFive Ensemble, and was one of the founding members of the Via Salzburg Chamber Orchestra. Mr. Koczo has shared the stage with such illustrious musicians as Mayumi Seiler, Steven Isserlis, Scott St.John, Douglas McNabney, Yehonatan Berick and the St. Lawrence String Quartet. As a soloist, he has been featured with the Sandor Frigyes Chamber Orchestra and has also had the opportunity to perform the Beethoven Violin concerto and Vivaldi’s Four Seasons.Born in Hungary, Mr. Koczó began his studies in Yugoslavia and then continued in Hungary at the Richter Conservatory in Gyor and the Béla Bartók Conservatory in Budapest. After attaining his bachelor’s degree with distinction from the College of the Franz Liszt Academy of Music, he continued his studies in Toronto with Lorand Fenyves and Erika Raum at the Glenn Gould School and the University of Toronto, where he was the recipient of the H. Carter scholarship.
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Hee-Soo Yoon began the violin at the age of 3. Today, she continues to share her passion through concerts, teaching, and community engagement.Hee-Soo has an interest in many forms of music. She spends most of her time playing classical music as that is her specialty, but some of her favourite musical memories include working with traditional Korean dancers, playing in the pit for musicals, and touring with Iranian singer Homayoun Shajarian. She is also passionate about performing contemporary classical music and has worked with many living composers including Sofia Gubaidulina, Julian Anderson, and Andy Akiho. In August 2021, she performed in the world premiere of Roger Tapping’s composition Reverberations for string quartet at Yellow Barn in Putney, Vermont.One of Hee-Soo’s most memorable experiences as an orchestral musician include the partnership between The Juilliard School and the Royal Academy of Music in London in the summer of 2018 which was led by Sir Edward Gardiner at the baton and soloist James Ehnes, where they performed at the Aldeburgh Festival and at the BBC Proms.An alum of the New England Conservatory, Juilliard, and the Glenn Gould School, she currently lives in Toronto. Her current partner in crime is a 2014 Douglas Cox copy of the “ex-Huberman” Stradivarius.
Viola
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Originally from Calgary, AB, Toronto based violist Catherine Gray is a member of the Canadian Opera Company Orchestra. Outside her work with the COC, she also performs with the Toronto Symphony Orchestra, the Orchestre Symphonique de Montréal, and the National Ballet of Canada Orchestra. Ms. Gray has been featured on CBC Radio, CBC Television, and BBC3, and has been described as "glorious... Gray is an immense talent... performer of superb musicianship and high quality" (Ludwig Van, Toronto 2020). As a chamber musician and orchestral player, Ms. Gray has performed throughout Asia, Europe, and North America. She has participated in festivals such as the Edinburgh International Festival, the Ottawa International Chamber Music Festival, soundSCAPE Festival, Morningside Music Bridge, Le Domaine Forget, St. Lawrence String Quartet Seminar, The Banff Center for the Arts, and the National Youth Orchestra of Canada. She is a founding member of the SOMA Quartet.Catherine completed her Master's Degree at McGill University under the tutelage of Steven Dann. She received her Bachelor of Music from the Royal Conservatory of Music's Glenn Gould School (Steven Dann), and previously studied with Nick Pulos and Joanne Melvin in Calgary, AB.
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Praised for his “lovely lyricism” by The Calgary Herald, Hezekiah Leung has been featured as a performer throughout North America and Europe as both a soloist and as the violist of the Rolston String Quartet — winner of the First Prize at the 12th Banff International String Quartet Competition. After completing his studies as a violinist at the University of Michigan under the tutelage of Stephen Shipps, Leung pursued his artist diploma on the viola with Stephen Dann and Barry Shiffman and received top prizes in the Glenn Gould Chamber Music Competition as well as the 74th Orchestre Symphonique de Montréal Standard Life Competition. He holds a Masters degree from Rice University, and was part of the Fellowship Quartet in Residence at the Yale School of Music as a member of the Rolston String Quartet. In 2020, Leung was chosen as a violist for the renowned Rebanks Family Fellowship & International Performance Residency Program in Toronto. Leung has shared the concert stage with such artists as Gilbert Kalish, Miguel da Silva, James Dunham, Jon Kimura Parker, Donald Palma, Cho-Liang Lin, Andrés Díaz, Gary Hoffman and Tara Helen O’Connor. As a founding member of the Rolston String Quartet, he was also awarded Grand Prize at the 31st Chamber Music Yellow Springs Competition, as well as the Astral Artists National Auditions. The quartet has performed at some of the most prestigious concert venues on the globe, including
Carnegie Hall, the Louvre, Kennedy Center, Koerner Hall and Wigmore Hall. Leung plays on a viola made by Samuel Zygmuntowicz, on loan through the El Pasito Foundation.
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Laurence Schaufele is a violist intent on exploring musicianship in a wide variety of genres. His experience spans diverse styles of music such as classical, jazz, klezmer, celtic, bluegrass, and many more. Hailing from rural southern Alberta, Laurence trained in the European classical tradition.He specialized at an early age on chamber music, from duos to string orchestra ensembles. Starting his post-secondary in Calgary, he transferred to Toronto for a change of pace. After graduating from the Royal Conservatory of Music in 2015 in viola performance, Laurence set off on a career which stretched the viola between many genres.
Cello
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Cellist. Performer. Conductor. Composer. Musical Director. Artistic Director. Teacher. Video Producer. Audio Engineer. Multi Instrumentalist. Andrew Ascenzo is redefining what it means to be a professional musician in the 21st Century.Andrew is a graduate of the Doctor of Musical Arts program at the University of Toronto and recipient of the Tecumseh Sherman Rogers Graduating Award, the highest honour awarded by the Faculty of Music. He performs regularly as a soloist and was a founding member of the Bedford Trio, who served as the Irene R. Miller Piano Trio in Residence at the University of Toronto and finalists of the Anton Rubinstein International Chamber Music Competition. As an orchestral cellist, Andrew appears regularly with the Toronto Symphony Orchestra and the Toronto Concert Orchestra. Andrew’s work in multi-media has included serving as the Artistic Producer of the Banff Centre’s Evolution Classical summer programs, video production for organizations including the Toronto Symphony Orchestra, University of Toronto, University Health Network, Ottawa Chamberfest, Leaf Music, and Gryphon Trio.
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Cellist Drew Comstock has been praised for his “deep and sonorous” cello playing (South Florida Classical Review). He served as principal of the New World Symphony for three seasons under Michael Tilson-Thomas, and Stephane Deneve, leading performances at the Arscht Center, New World Center, and Carnegie Hall. He is the co-Founder and cellist of the Canadian Chamber Orchestra, regularly joins the cello sections of the Toronto Symphony, Canadian Opera Company, and has been featured on PBS and North Carolina Public Radio.
A believer in the transformative power of chamber music, Drew has made music with artists such as Anthony Marwood, Jonathan Crow, David Geringas, Steven Dann, and Mark Fewer. Alongside violinist Aaron Schwebel, Comstock performs in Ontario prisons through Looking at the Stars. Comstock has collaborated with composers John Adams, Osvaldo Golijov, and Steve Reich, and has premiered works by Efstratios Minakakis and Michael Tilson-Thomas. Comstock began his formal musical studies in high school, graduating from the University of North Carolina School of the Arts. He continued his education at the New England Conservatory, McGill University, and the Glenn Gould School. His mentors include Yeesun Kim, Brian Manker, Desmond Hoebig, Andre Roy, Timothy Ying, and Steven Dann.
BAss
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Born in Toronto, Canada, Travis Harrison is a graduate of Montreal's McGill University. His post-graduate work was with the National Arts Centre's Institute for Orchestral Studies while he concurrently completed a Master's degree in performance at the University of Ottawa in 2012 under the guidance of Joel Quarrington. Travis has happily ended a 6-year tenure with Winnipeg Symphony Orchestra, having joined in Fall of 2013. Travis has also been serving the bass community as a board member of the International Society of Bassists since 2017. Travis' most formative musical experiences include European tours with Canada’s National Arts Centre Orchestra in 2019 as well as the Aldeburgh World Orchestra for the London 2012 Olympic Festival. Also of note are several months as guest principal bass of the Canadian Opera Company; and as guest principal bass with the National Arts Centre Orchestra.
As a teacher, Travis has served as a faculty member of Ottawa University, the Manitoba Conservatory of Music and Art, Carleton University, the University of Manitoba, and Sistema Winnipeg. Travis currently maintains a private studio based out of Toronto, and also offers lessons taught online. He has given masterclasses at the University of Toronto, Brandon University, and University of Ottawa; and acted as a mentor to students at the National Academy Orchestra of Canada, the Belfountain Festival, and the Lunenburg Academy of Music Performance.
Whenever and wherever possible, Travis loves to play chamber music and performs regularly throughout Canada. He was a founding member of the Winnipeg Chamber Players, and Nova Scotia’s Iris Ensemble. He has also performed with the Kaimerata Festival of Denman Island (British Columbia), Ritornello Festival (Saskatchewan), Lunenburg Academy of Music Performance (Nova Scotia), Off Centre Music Salon (Toronto), and the BelfountainFestival (Southern Ontario). As a recording artist, Travis has played on numerous classical recordings, most recently the National Arts Centre's Life Reflected (2016). While not playing music, the art of beer making, wood working, and audio/video production take up much of Travis' time.
Donate to the CCO
The Canadian Chamber Orchestra works with Chamber Factory, a registered Canadian charity to collect donations and issue tax receipts. Please use the form below to donate to the CCO via Chamber Factory, with options to donate once or on an ongoing monthly basis. If you have any questions or inquiries, please e-mail us at donate@canadianchamberorchestra.ca.