presents

STRING THEORY

MUSIC OF TIME & SPACE

Concert Programme
APRIL 10, 2025



Follow the CCO


The Canadian Chamber Orchestra is grateful for support from the Toronto Arts Council and our community of donors and supporters

Andrew & Christine Sloss
Benjamin Comstock 
Aaron Schwebel
Krista Comstock 
Gwen Sugiyama
Olga Jilani 
Yang Sui
Charlotte Ryan
Catherine Willshire
Tess Griffin
Kenneth & Dawn Davison

Karen Comstock
Carolyn Blackwell
Bryan Holt
Travis Harrison
Joyce Bubar
Kimberly Skelding
Anne Bowman
Leslie Emma
Taylor Comstock
Gordon Comstock

A Message from the Artistic Directors

We are thrilled to welcome you to String Theory: Music of Time & Space; the second official performance of the Canadian Chamber Orchestra’s second season!

After a wonderful start to our second season with Movie Night in the fall and Shostakovichfest in February in callaboration with OPUS Chamber Music, we are thrilled to be venturing into the spring of our second season as an orchestra presenting the second of three unique concerts of our own, performances with other presenters in Toronto and beyond, and partnering with Eglinton St. George’s United Church, which will be our home base for the 2024-25 season.

Tonight’s concert celebrates music of the cosmos, inspired by our planet, the stars, the galaxies, and our dreams. We are thrilled to be performing music by Canadian composers Kelly-Marie Murphy and Marjan Mozetich alongside the works of notable American composers Jessie Montgomery and Aaron Jay Kernis. Rounding out the program is Estonian composer Arvo Pärt’s ethereal and haunting piece Fratres for strings and percussion, as well as arrangements of some timeless hits by the psychedelic classic rock band Pink Floyd. We are proud to present music that is being written today by living composers here in Canada and abroad, and to celebrate art that is inspired by and evocative of our universe and examines our place in it.

Your presence here tonight is a testament to your love and appreciation for the arts, and we are grateful for your support. We hope that this concert will be the first of many memorable performances that we will share with you in the future. We invite you connect with us directly, and please consider supporting the CCO through our partnership with Chamber Factory, a non-profit organization that collects donations and issues tax receipts on behalf of many phenomenal arts organizations in Toronto.

Thank you for being a part of this special evening, welcome to the CCO’s living room, and we look forward to sharing the transformative power of music with you.

Andrew Ascenzo & Drew Comstock
Artistic Directors
Canadian Chamber Orchestra

Concert Programme


Arvo Pärt

Fratres

percussion: Bevis Ng


Jessie Montgomery

STARBURST


Marjan Mozetich

POstcards from the Sky

I: Unfolding Sky
II: Weeping Clouds
III: Messenger

Pink Floyd (arr. Ascenzo)

The Great Gig in the Sky

vocal: TBD


Claude Debussy (arr. T. Bertin-Maghit)

Clair de Lune


Kelly-Marie Murphy

Circadian Rhythms

I: Strung Out
II: R.E.M.
III: Drifting

Pink Floyd (arr. Ascenzo)

Time


Aaron Jay Kernis

Musica Celestis

voice: Anika Venkatesh

Musicians of the CCO

Performing This evening:

Special Guests

  • Ms. Sills was named one of York University’s 2022 Top 30 Alumni Under 30 and in 2020 was one oCanada’s 30 hot classical musicians under 30 by CBC Music. One of the most exciting emerging sopranos of her generation, Jonelle recently made her company debut at the Canadian Opera Company as Mimi in La bohème, where she was lauded for being a “beautifully sensitive Mimi with careful control and colour” (The Globe and Mail)

    Upcoming this season, Sills looks forward to returns to Edmonton Opera as Roselinde in StraussDie Fledermaus, and the Guelph Symphony Orchestra for a New Years Day celebration. Additionally, she joins the musical cast of Rhapsody in Blue: A Gershwin Celebration for the composer’s centenary in venues across Ontario, and tours Joplin’s Treemonisha with Volcano Theatre and Chicago’s Harris Theatre.

    Her 2023/2024 season saw role debuts of Donna Anna in Mozart’s Don Giovanni with the Edmonton Opera, Hannah Glawari in Lehar’s Merry Widow with Toronto Operetta Theatre, and Micaëla in Bizet’s Carmen with Vancouver Opera. She returned to the Canadian Opera Company later in the season for assignments in the world premiere of Aportia Chryptych: A Black Opera for Portia White. 

    On the concert stage, she has recently made returns to the National Arts Centre Orchestra under the batons of Alexander Shelley, Dinuk Wijeratne, and Cosette Justo Valdés; joined the Toronto Mendelssohn Choir for Brahms’ Requiem, and presented recital programs for both Prince Edward County Chamber Music Festival and Ottawa’s Chamberfest.

    Past highlights include her Canadian Tour as Mimì in La Bohème with Against the Grain Theatre.  Residency at the Banff Centre for Arts and Creativity in Against the Grain Theatre’s  “Opera in the 21st Century” program. In her residency she premiered the role of Esther in Poala Prestini’s (Composer) and Royce Vavreck (Librettist) Silent Light directed and designed by Thaddeus Strassberger.

    Other performance highlights include Sills’ main stage debut with Vancouver Opera as Helena in Britten’s A Midsummer Night’s Dream, joining the star-studded all Canadian cast of Sondheim’s A Little Night Music at Koerner Hall, a Canadian tour as Mimì in La bohème with Against the Grain Theatre, and her role debut of Tatyana in Eugene Onegin with Highlands Opera Studio.

    She was in residency at the Banff Centre for Arts and Creativity for their Opera in the 21st Century program, where she premiered the role of Esther in Poala Prestini and Royce Vavreck’s Silent Light, directed and designed by Thaddeus Strassberger. In April of 2019, she made her company debut with Toronto’s Against The Grain Theatre in Vivier’s Kopernikus, which earned her a 2019 Dora Award as a member of the ensemble.

    Further operatic credits include Rosalinde in J. Strauss’ Die Fledermaus with The Glenn Gould School, Musetta in La Bohème in the Muskoka Opera Festival, Micaëla in Carmen with Summer Opera Lyric Theatre, and Cecchina in La Cecchina with The Glenn Gould School. As Female Chorus in The Rape of Lucretia (MYOpera), Jonelle was praised for, “she handles the huge vocal range expertly and takes us on a beautiful dramatic arc throughout the show” (Schompera, Greg Finney).

    Currently based in Toronto Ms. Sills has completed her studies in the the Artist Diploma Program (ADP) at The Glenn Gould School at The Royal Conservatory of Music in 2018. Jonelle has also performed in master classes and coachings with notable artist such as Gerald Finley, Liz Upchurch, Adrianne Pieczonka, Tim Noble, Martin Katz, Catherine Robbin, Dawn Upshaw and Joan Dornemann.

  • Bevis Ng is currently completing a Master’s degree in Percussion Performance at the University of Toronto. His teachers include Prof. Aiyun Huang, and Prof. Beverley Johnston. His research in the TaPIR lab centers on the collaborative process in creating new works that incorporate interactive technology. He is interested in analyzing the role of the performer, composer and technician in each piece, locating the creative outputs of a performer, and documenting the performance practices of these new pieces. He is currently collaborating closely with composer/technician Fish Tsz Long Yu, working on two pieces that incorporate live signal processing electronic: a solo for Tam-tam with 8-channel diffusion speakers, and a duo for two Cantonese-speaking percussionists.

  • I graduated from Western University with a BFA with practices shifting from primarily acrylic painting to oil painting and installation works over the past few years. Drawing inspiration from Hieronymus Bosch and Salvador Dali, I create paintings with a touch of Surrealism
    and “whimsical”-like quality. Additionally, I pursued a dual degree with the Ivey School of Business which translated into an interest in critiquing the systemic issues behind capitalism in some of my work. These days I'm working on creating large scale oil & acrylic paintings with a new found love of using paint markers.

    As an artist, I seek to challenge the perspectives in which we view ourselves in relation to the world around us by communicating these ideas through installation and painting. I’m fascinated by how we perceive the world, and the search for truth behind what we deem to be real and what we deem to be fabricated. Some of my work focuses on this concept of a falsified utopia in a dystopian world fueled by the dark side of human nature, tainted by selfishness, greed, and sin. Prevalent in my previous work, I explore themes of wealth disparity and the consequences of the system built to function in favour of those in power. Following this, I'm creating work that comments on consumerism and the materialistic society that we indulge in, bringing to light the issues behind our current economic and political systems, exposing the impact of harmful actions that seem harmless on the surface and how we are all inevitably accountable. More recently, my work has taken a lighter direction with themes of personal self reflection and nostalgia. Holistically, I’m interested in questioning social constructs and exploring what is inherent human nature and what is conditioned.

Violin

  • Luri Lee has been deemed “the perfect chamber music partner” (Bachtrack) whose playing is “spotlessly clean and with never a routine phrase” (The Calgary Herald). Appearing as soloist with the Royal Conservatory Orchestra and the Edmonton Symphony Orchestra, Lee has performed throughout North America, Europe, and Asia as a soloist and chamber musician.

    As a founding member of the Rolston String Quartet, she received Chamber Music America’s prestigious Cleveland Quartet Award, First Prize at the 12th Banff International String Quartet Competition, and Grand Prize at the 31st Chamber Music Yellow Springs Competition and the Astral Artists National Auditions.

    The quartet are associated artists at the Queen Elizabeth Music Chapel, and completed a two-year term as the Yale School of Music’s fellowship quartet-in-residence in spring 2019. Previously, they were the graduate quartet-in-residence at Rice University’s Shepherd School of Music.

    Keeping in the teaching tradition, they have taught at the Yale School of Music, the University of Toronto, and the Bowdoin International Music Festival among others. Their début album, Souvenirs, an all-Tchaikovsky recording released in 2020, was named Recording of the Year by BBC Music Magazine. The quartet has performed at some of the most prestigious concert venues on the globe, including Carnegie Hall, the Louvre, the Kennedy Center, Koerner Hall, and Wigmore Hall.

    Her diverse chamber music career has led to collaborations with many world-renowned artists such as Paul Neubauer, Yura Lee, Gary Hoffman, Cho-Liang Lin, Miguel da Silva, and Jon Kimura Parker. Lee holds degrees from the University of Toronto, Glenn Gould School, Peabody Conservatory, and Rice University.

    She plays on a Carlo Tononi violin, generously on loan from Shauna Rolston Shaw.

    During her spare time, Lee loves to travel with her husband, violist Hezekiah Leung, exploring and finding hidden food gems.

  • Recipient of the 2015 Hnatyshyn Foundation Developing Artist Grant, TSO violinist Christina (Jung Yun) Choi gave her first concerto performance in 2006 with the Queensland Symphony.Since then, she has performed around the world in venues such as Bridgewater Hall, the Sydney Opera House, and Carnegie Hall. Born in South Korea, Choi began playing the violin at the age of 5. Two years later, while visiting relatives in Australia, she met her future long-term teacher, Emin Tagiev. That moment became a turning point in her life, and after receiving a full music scholarship to attend boarding school in Australia, she went on to complete her studies at the Glenn Gould School, the Colburn School, and the New World Symphony.Choi’s primary teachers include Emin Tagiev, Atis Bankas, David Zafer, Mayumi Seiler, Paul Kantor, Barry Shiffman, and Martin Beaver. Outside of music, Choi likes to travel, hike, and search for good food and coffee.

  • Sheila Jaffé was born into a family of musicians and was fascinated by classical music from a young age. Born in Montreal and raised in South Florida, she returned to her native Quebec at the age of thirteen to live and study with her second cousin Catherine Dallaire, concertmaster of the Orchestre Symphonique de Québec and professor of violin at the Conservatoire de Musique de Québec. After completing high school as part of the arts intensive program at l'École Secondaire Pierre-Laporte in Montreal, Sheila completed her Bachelor's degree in violin performance at the Université de Montréal. Over the course of her years in Montreal, it became clear that chamber music and orchestral playing were at the core of her musical passions. She co-founded the Alaya String Quartet, performed in numerous chamber music concerts in the city, and kept herself impossibly busy with every kind of ensemble she could put together. In the summers, she participated in orchestral, chamber music and masterclass festivals such as Schleswig-Holstein Orchester, Domaine Forget, International Musicians Seminar and Open Chamber Music at Prussia Cove, Orford Arts Centre, Aurora Music in Sweden, and several others. Sheila continued her studies in Berlin, Germany with a Master's program at the Hanns Eisler Hochschüle für Musik, during which she also was accepted into the Deutsche Symphonie-Orchester Akademie for a one-year position. During this time she also co-founded the Alondra String Quartet, who were invited to the International Musicians Seminar Prussia Cove as well as the Toronto Summer Music festival. The members of this quartet are now in leading orchestras around the world. In 2013, at the Rosebud Chamber Music Festival in Alberta, Canada, she co-founded the Rosebud String Quartet (RSQ), with whom she currently performs regularly. Sheila is also the violinist and violist of the Array Ensemble, specializing in new music. In 2015, Sheila joined the Canadian Opera Company as a violist while continuing to nurture her love of chamber music on the violin with her string quartet as well as other chamber ensembles and various solo performances. She has also recently been appointed as principal viola of the National Ballet of Canada Orchestra. Her first album, featuring works by Franck, Elgar and Britten in collaboration with Welsh pianist Huw Watkins, is due to come out in 2022. Sheila Jaffé plays on a Francesco Gobetti (1710-15) violin and Raymond Schryer (2001) viola on generous loan from Canimex.

  • Praised for his “beauty of tone and elegance of style” (Herald-Tribune), Toronto based violinist Patrick Goodwin enjoys a varied career as a soloist, chamber musician, orchestral violinist and teacher. As former concertmaster of the Cape Town Philharmonic Orchestra, Patrick has performed in many of the world’s great halls including the David Geffen Hall, Royal Festival Hall, Hong Kong Cultural Centre, Wales Millennium Centre and the Dubai Opera House. He has served as leader and orchestral soloist for multiple productions in collaboration with Cape Town Opera, Cape Town City Ballet and for the touring St. Petersburg Ballet’s production of Swan Lake. Patrick has appeared as a guest leader with various South African orchestras and chamber ensembles and has recorded for national radio, television and on numerous commercial recordings. In 2017 he represented South Africa performing with the New York Philharmonic Global Orchestra Project at the Lincoln Centre under conductor Alan Gilbert. Since relocating to Canada in 2018, Patrick has performed in various chamber music ensembles in and around Toronto and is a substitute violinist with the Orchestra of the National Ballet of Canada, Hamilton Philharmonic Orchestra, Toronto Concert Orchestra and joins Sinfonia Toronto for their 2019-2020 season. Patrick has featured regularly as a soloist with the Cape Town Philharmonic Orchestra, University of Cape Town Symphony Orchestra and in recital throughout South Africa. An experienced and sought-after chamber musician, he was a founding member of the Bacharova Quartet and leader of the Juliet String Quartet with whom he championed many new works alongside established repertoire. He was awarded first prize in the ATKV Ensemble Competition (2009) and has been faculty member at the Stellenbosch International Chamber Music Festival (2012, 2013)Patrick studied in Cape Town and Chicago where his principal teachers were Farida Bacharova and Olga Dubossarskaya Kaler. He holds Bachelors and Masters degrees in violin performance and was a member of the South African National Youth Orchestra as well as a frequent participant in the Britten-Pears Orchestra courses in Aldeburgh, UK. From 2011 to 2018 Patrick was adjunct lecturer in violin at the South African College of Music, University of Cape Town. 

  • Hailing from Hunan, China, Yan began playing the violin at the age of 5 and made her solo début with the Hunan Symphony Orchestra at 8. Yan holds a Master of Music degree from The Juilliard School, where she studied under the guidance of Ronald Copes, and a Bachelor of Music degree from the New England Conservatory (NEC), under the tutelage of Ayano Ninomiya. Prior to joining the TSO, Yan served as concertmaster of the Music Academy of the West during the summer of 2022, receiving coaching from Glenn Dicterow, Rainer Honeck, and Jorja Fleezanis. As Principal Second Violin, Yan toured with the National Youth Orchestra of China (NYO-China) in 2017 and 2019. She collaborated with Yuja Wang and Garrick Ohlsson, performing at prestigious venues such as Carnegie Hall in New York City, Konzerthaus Berlin, and other renowned locations in the UK, Italy, and China. During NYO-China’s 2019 European tour, she was selected to perform at the Chinese Embassy in the UK. Yan has also participated in music festivals including the New York String Orchestra Seminar, Yellow Barn, Kneisel Hall, Bowdoin, and Morningside Music Bridge.

    A devoted chamber music enthusiast, Yan participated in the Honors Chamber Music Program at both schools she attended. She is a founding member of the Blanche String Quartet at NEC and a member of the VIA Piano Trio at Juilliard. Yan’s chamber groups have performed at Alice Tully Hall, Lincoln Center Chamber Music Society, Jordan Hall, and Harvard University. Her primary chamber coaches and mentors include Jerome Lowenthal, Orli Shaham, Joseph Lin, and Ronald Copes, and she has received coaching from members of the Borromeo, Brentano, and Emerson String Quartets.

  • Praised by audiences and critics alike, Halifax native Heemin Choi has been featured on CBC Music’s list of “30 Hot Classical Musicians Under 30” and has shared his passion for music internationally in various orchestral, chamber and solo settings. Performing on the 1768 “Miller” Januarius Gagliano Violin generously on loan from the Canada Council for the Arts, Choi has performed with the likes of Simon Rattle, Antonio Pappano, Ginandrea Noseda and Valery Gergiev.

Viola

  • Originally from Calgary, AB, Toronto based violist Catherine Gray is a member of the Canadian Opera Company Orchestra. Outside her work with the COC, she also performs with the Toronto Symphony Orchestra, the Orchestre Symphonique de Montréal, and the National Ballet of Canada Orchestra. Ms. Gray has been featured on CBC Radio, CBC Television, and BBC3, and has been described as "glorious... Gray is an immense talent... performer of superb musicianship and high quality" (Ludwig Van, Toronto 2020). As a chamber musician and orchestral player, Ms. Gray has performed throughout Asia, Europe, and North America. She has participated in festivals such as the Edinburgh International Festival, the Ottawa International Chamber Music Festival, soundSCAPE Festival, Morningside Music Bridge, Le Domaine Forget, St. Lawrence String Quartet Seminar, The Banff Center for the Arts, and the National Youth Orchestra of Canada. She is a founding member of the SOMA Quartet.Catherine completed her Master's Degree at McGill University under the tutelage of Steven Dann. She received her Bachelor of Music from the Royal Conservatory of Music's Glenn Gould School (Steven Dann), and previously studied with Nick Pulos and Joanne Melvin in Calgary, AB.

  • Praised for his “lovely lyricism” by The Calgary Herald, Hezekiah Leung has been featured as a performer throughout North America and Europe as both a soloist and as the violist of the Rolston String Quartet — winner of the First Prize at the 12th Banff International String Quartet Competition. After completing his studies as a violinist at the University of Michigan under the tutelage of Stephen Shipps, Leung pursued his artist diploma on the viola with Stephen Dann and Barry Shiffman and received top prizes in the Glenn Gould Chamber Music Competition as well as the 74th Orchestre Symphonique de Montréal Standard Life Competition. He holds a Masters degree from Rice University, and was part of the Fellowship Quartet in Residence at the Yale School of Music as a member of the Rolston String Quartet. In 2020, Leung was chosen as a violist for the renowned Rebanks Family Fellowship & International Performance Residency Program in Toronto. Leung has shared the concert stage with such artists as Gilbert Kalish, Miguel da Silva, James Dunham, Jon Kimura Parker, Donald Palma, Cho-Liang Lin, Andrés Díaz, Gary Hoffman and Tara Helen O’Connor. As a founding member of the Rolston String Quartet, he was also awarded Grand Prize at the 31st Chamber Music Yellow Springs Competition, as well as the Astral Artists National Auditions. The quartet has performed at some of the most prestigious concert venues on the globe, including

    Carnegie Hall, the Louvre, Kennedy Center, Koerner Hall and Wigmore Hall. Leung plays on a viola made by Samuel Zygmuntowicz, on loan through the El Pasito Foundation.

  • Laurence Schaufele is a violist intent on exploring musicianship in a wide variety of genres. His experience spans diverse styles of music such as classical, jazz, klezmer, celtic, bluegrass, and many more. Hailing from rural southern Alberta, Laurence trained in the European classical tradition.He specialized at an early age on chamber music, from duos to string orchestra ensembles. Starting his post-secondary in Calgary, he transferred to Toronto for a change of pace. After graduating from the Royal Conservatory of Music in 2015 in viola performance, Laurence set off on a career which stretched the viola between many genres.

Cello

  • Cellist. Performer. Conductor. Composer. Musical Director. Artistic Director. Teacher. Video Producer. Audio Engineer. Multi Instrumentalist. Andrew Ascenzo is redefining what it means to be a professional musician in the 21st Century.Andrew is a graduate of the Doctor of Musical Arts program at the University of Toronto and recipient of the Tecumseh Sherman Rogers Graduating Award, the highest honour awarded by the Faculty of Music. He performs regularly as a soloist and was a founding member of the Bedford Trio, who served as the Irene R. Miller Piano Trio in Residence at the University of Toronto and finalists of the Anton Rubinstein International Chamber Music Competition. As an orchestral cellist, Andrew appears regularly with the Toronto Symphony Orchestra and the Toronto Concert Orchestra. Andrew’s work in multi-media has included serving as the Artistic Producer of the Banff Centre’s Evolution Classical summer programs, video production for organizations including the Toronto Symphony Orchestra, University of Toronto, University Health Network, Ottawa Chamberfest, Leaf Music, and Gryphon Trio.

  • Cellist Drew Comstock has been praised for his “deep and sonorous” cello playing (South Florida Classical Review). He served as principal of the New World Symphony for three seasons under Michael Tilson-Thomas, and Stephane Deneve, leading performances at the Arscht Center, New World Center, and Carnegie Hall. He is the co-Founder and cellist of the Canadian Chamber Orchestra, regularly joins the cello sections of the Toronto Symphony, Canadian Opera Company, and has been featured on PBS and North Carolina Public Radio. 

    A believer in the transformative power of chamber music, Drew has made music with artists such as Anthony Marwood, Jonathan Crow, David Geringas, Steven Dann, and Mark Fewer. Alongside violinist Aaron Schwebel, Comstock performs in Ontario prisons through Looking at the Stars. Comstock has collaborated with composers John Adams, Osvaldo Golijov, and Steve Reich, and has premiered works by Efstratios Minakakis and Michael Tilson-Thomas. Comstock began his formal musical studies in high school, graduating from the University of North Carolina School of the Arts. He continued his education at the New England Conservatory, McGill University, and the Glenn Gould School. His mentors include Yeesun Kim, Brian Manker, Desmond Hoebig, Andre Roy, Timothy Ying, and Steven Dann.

BAss

  • Born in Toronto, Canada, Travis Harrison is a graduate of Montreal's McGill University. His post-graduate work was with the National Arts Centre's Institute for Orchestral Studies while he concurrently completed a Master's degree in performance at the University of Ottawa in 2012 under the guidance of Joel Quarrington. Travis has happily ended a 6-year tenure with Winnipeg Symphony Orchestra, having joined in Fall of 2013. Travis has also been serving the bass community as a board member of the International Society of Bassists since 2017. Travis' most formative musical experiences include European tours with Canada’s National Arts Centre Orchestra in 2019 as well as the Aldeburgh World Orchestra for the London 2012 Olympic Festival. Also of note are several months as guest principal bass of the Canadian Opera Company; and as guest principal bass with the National Arts Centre Orchestra. 

    As a teacher, Travis has served as a faculty member of Ottawa University, the Manitoba Conservatory of Music and Art, Carleton University, the University of Manitoba, and Sistema Winnipeg. Travis currently maintains a private studio based out of Toronto, and also offers lessons taught online. He has given masterclasses at the University of Toronto, Brandon University, and University of Ottawa; and acted as a mentor to students at the National Academy Orchestra of Canada, the Belfountain Festival,  and the Lunenburg Academy of Music Performance. 

    Whenever and wherever possible, Travis loves to play chamber music and performs regularly throughout Canada. He was a founding member of the Winnipeg Chamber Players, and Nova Scotia’s Iris Ensemble. He has also performed with the Kaimerata Festival of Denman Island (British Columbia), Ritornello Festival (Saskatchewan), Lunenburg Academy of Music Performance (Nova Scotia), Off Centre Music Salon (Toronto), and the BelfountainFestival (Southern Ontario). As a recording artist, Travis has played on numerous classical recordings, most recently the National Arts Centre's Life Reflected (2016). While not playing music, the art of beer making, wood working, and audio/video production take up much of Travis' time.

Donate to the CCO

The Canadian Chamber Orchestra works with Chamber Factory, a registered Canadian charity to collect donations and issue tax receipts. Please use the form below to donate to the CCO via Chamber Factory, with options to donate once or on an ongoing monthly basis. If you have any questions or inquiries, please e-mail us at donate@canadianchamberorchestra.ca.